5/21/2023 0 Comments Goro miyazaki movies![]() ![]() But the core team members were all freelancers who we’ve worked with before. So the team, this time, we worked with different studios that already have experience with 3D CG, whether it’s the animation process or the composite or modeling - we have been supporters. ![]() Was it a challenge for the Ghibli animators to adapt to the CG technology and style? So in that sense it was very satisfying for me to to use 3D CG. The story basically follows the journey of this one girl, and I felt that CG is very good in bringing out a lot of expressions and acting and performances from the characters. ![]() It had all the right elements of offers 3D CG.Īnd then there was the story. This story had a very small number of characters, and then it’s set in a limited, very confined space. As you know, with 3D CG, everything has to go through the modeling process, and we didn’t have the capacity to do that. I felt that the original novel had all the right elements for us to make an adaptation, because this being our first 3D CG at Studio Ghibli, we really didn’t want to take on a huge epic story where there were a lot of characters and a lot of different locations and sceneries. I don’t mean to break rules or rebel against the norm of Japanese animation, but there’s a big part of me that wants to try something new. Was there any resistance to doing the film at Studio Ghibli? What made this film prime for 3D CG? In reading about Japanese animation and speaking to directors, I get the sense that artists still don’t value 3D CG animation as much as traditional 2D. If somebody wants me to do something, I really want them to explain to me why that is necessary. But says, “Shut up, silly girl, you just do what you’re told.” That kind of attitude really upsets me, too. Earwig is taught by Bella Yaga the witch to do some chores. I hated rules that they forced upon us without substantial, proper reason.Ī part of me still has that. But I was always questioning why they had all these rules that we needed to follow. So when I was in junior high school, I wasn’t bold enough to actually rebel against teachers. Here in Japan, in school, back in the day, they had a lot of rules, for hairstyle and what kind of clothes you can wear at school and all that. So I’m not an extrovert, but then I hated when people kind of put me in a box. Contrary? As a kid, I was quite shy and quiet. Goro Miyazaki: No, I wouldn’t say I’m rebellious. Are you a rebellious guy? Were you that way as a kid? How much do you connect with her? This interview was conducted through a translator, and has been edited for clarity and concision.Įarwig, the girl at the center of your film, has a rebellious streak. 5, Polygon spoke to Goro Miyazaki to discuss Studio Ghibli’s jump to 3D CG, his investment in the style, and what his father ultimately thought of the film. 3, with a debut on HBO Max soon after on Feb. With Earwig and the Witch set for North American theatrical release on Feb. The pivot was a gamble Goro was willing to bet on to diversify the studio’s output and ensure a future for the company, despite his father Hayao Miyazaki’s reservations over the medium. In many ways, the film checks the boxes of Ghibli storytelling traditions, but it’s also the studio’s first film to be completely animated with 3D CG. When another magical woman, Bella Yaga, adopts her, Earwig’s supernatural origins come to a head. Earwig tells the story of a 10-year-old orphanage resident who happens to be a witch’s daughter. Directed by Goro Miyazaki (director of Tales from Earthsea, From Up on Poppy Hill), Earwig adapts a novel by British fantasy author Diana Wynne Jones, who provided the source material for Ghibli’s 2004 movie Howl’s Moving Castle. The studio’s new movie, Earwig and the Witch, may also be its riskiest. A Studio Ghibli movie is always an event. From the storybook vistas of My Neighbor Totoro to the fantastical carnage of Princess Mononoke and the surreal, line-painted style of The Tale of Princess Kaguya, each Ghibli film emphasizes how craft can draw us deeper into a character’s personal journey than even a photographed human face. For more than 35 years, Studio Ghibli has enchanted audiences around the globe with meticulously crafted 2D animation. ![]()
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